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Portable Typewriters » 1957 Olympia SM3 - QWERTY » 08-2-2021 05:22:24

teeritz
Replies: 5

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Great machines, these Fifties SMs. I have a '51 SM2 and a '54 SM3 and they both have a heavy carriage shift. Any chance you could explain the process of adjusting the springs?

Portable Typewriters » Blue Bird 18b, circa 1963 » 05-2-2020 04:21:00

teeritz
Replies: 3

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Hello Sky, thanks very much for the explanation. Sure enough, I manually wound the ribbon over to the end of one spool and then began tapping at the keys and, as if by magic, the central cross-bar flipped across and the spoils then began rotating in the opposite direction as I continued tapping at the keys.

And thank-you for mentioning that the required ribbons are the non-eyelet types. I think I have one or two floating around.

Thanks again and take care!

Portable Typewriters » Blue Bird 18b, circa 1963 » 03-2-2020 04:52:47

teeritz
Replies: 3

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I just picked up a BlueBird 18b. A quick search through the Typewriter SN Database tells me that it's either a 1959 or a 1963, based on the 127XXXX serial number.
My question to those of you who may know more about these machines is; does it have a ribbon reversal key anywhere?
I can see a thin bar across the middle of the type-basket and it can be shifted from side to side and this allows the ribbons to reverse.
There is that forked stem next to each ribbon, where the ribbon slots in so that the brass eyelets at the end of the ribbon can catch on it (like a lot of other machines) , which usually causes the ribbon reversal to occur, but these stems don't to move at all.

Anyone know? I'll thank you in advance, and I'll thank you again.
 

Portable Typewriters » Groma Kolibri vs Olympia SM9 vs Olivetti Lettera 32 » 24-5-2019 07:26:47

teeritz
Replies: 26

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As thetypewriterman said, the SM9 is the clear standout.I have all three  of these machines.

1958 Groma Kolibri looks beautiful, but has a heavier touch than the other two. If the platen rubber has hardened over the years, as it most likely has, then this machine will sound loud.

1981 Lettera 32, I bought it brand new back then and it churned out a zillion school assignments. I thought it was a great typewriter (it really is), but somebody once described it as if it was 'filled with mud' when you type on it. After I read that, I couldn't shake that description. It has a slightly sluggish feel to it compared to other machines that I've used.

1966 SM9 is a standout. Very snappy action to the keys. Not sure if a '75 model has similar construction, but if it does, it's the best of the three that you mention.

Another worthy contender if you want snappy keys is a mid-'50s Smith-Corona Silent Super. Might sound a little louder than the SM9, but you could write for days on it.
You could probably pick one up (in the US, at least) for less than a hundred bucks, possibly even half that, but I would get it serviced by a typewriter repairer - they still exist - if I found one for under $100.

Good luck with your search!

Maintenance & Repairs » Olivetti ribbon eyelets » 03-10-2018 05:02:14

teeritz
Replies: 4

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The eyelets are a little brass or aluminium ring. The small ones are a little bit smaller than your fingernail of your little finger. They are usually available from haberdashers or stores that sell sewing/dressmaking equipment (threads, fabrics, etc) and you can buy a small kit that comes with a short steel rod. This rod is placed over the two-piece eyelet and then a few sharp taps with a hammer and you will have an eyelet.
You basically take the typewriter ribbon, cut a small hole in the centre of it, push one piece of the eyelet (usually, it's the longer section that looks like a top hat) through it and attache the other part, which looks like a ring, on top of it. Tap it with a hammer and the top-hat piece flattens and secures to the ring and bingo!, you have an eyelet on the end of the typewriter ribbon.
None of this makes any sense now that I read it, but once you get a packet of eyelets, it will be a lot clearer.

This video shows the basic principle behind what I just said. This is for tents. For typewriter ribbons, everything is much smaller, obviously. Forget the large hole cutter that's used in the video. For typewriter ribbons, you just have to make a cut that's large enough to fit the long eyelet piece through, rather than cutting a perfect circle through the ribbon.

https://www.youtube.com/watch?v=bA2WvPEY7M4

Best of luck, but it's easy once you practice a few of them.


 

Portable Typewriters » Smith Corona portables » 11-7-2018 05:36:18

teeritz
Replies: 3

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A 1940s Sterling or Clipper in good condition is an absolute workhorse. Very rock-solid.
A mid-1950s Silent Super in good condition is a dream to write with. Very snappy key and typeslug action.
I have each of these and I can't fault them. For ultra-portables, I had a mid '50s Skyriter with the short return lever and ended up selling it and replacing it with a later 1950s Tower Chieftain III, which is a Skyriter branded for Sears-Roebuck back then. This one had the longer return lever and came in a leather case instead of the steel clip-on cover that the short return lever models used to have. Another great Smith-Corona model.
I also have a 1936 flat-top Sterling. It's a sluggish machine to write with, and the bell gives off a half-hearted 'ding!' at the end of each line, but this thing looks like a cross between a Steinway baby grand and Capone's coffin,
Worth keeping just for this reason alone.

In terms of mechanically sound, '40s and '50s machines, if found in good condition or serviced properly, will give you a wonderful typing experience with no hassles.
Best of luck!

Maintenance & Repairs » Royal QDL spacebar not always advancing carriage » 01-3-2018 22:02:15

teeritz
Replies: 8

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The QDLs are known for this issue. My '47 model also has this 'word-joiner' function, whereby the space bar doesn't seem to advance the carriage every time. Slowing down my typing speed seems to solve the problem. 

Portable Typewriters » Remington Portables » 28-2-2018 05:29:06

teeritz
Replies: 13

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tricnomistal wrote:

Quick question, just for clarity: In your blog posts for both machines you describe them as working like "old farm tractors." As a writer, I appreciate the interesting simile, but my knowledge of farm tractors is limited, so would you mind illuminating what you mean by that? 

Because both machines are 80 years old, they make a racket when you type on them. Whereas something from the 1950s, such as an Olympia SM model for example, might have type-bars that hit the page/platen with a sharp 'thwack', the Remette sounded a lot louder, almost like a motorbike trying to start, or putting a sheet of tin into a paper shredder. Not that I've tried that, mind you. The other Remington was similar. Everything sounded rough on these typewriters.
By contrast, my 1936 Smith-Corona Standard has a 'leaden' feel to it when you type on it, with a half-hearted 'tink!' at the end of each line as though the bell suddenly remembered what it's there for, but can't be bothered doing its job, just the same. Ooh, I'm getting slightly Chandleresque. Which is a good thing. 

And don't worry, I grew up nowhere near a farm, but I wanted to stress the fact that these two typewriters ran like any other machine that was eight decades old. I think much of it has to do with the ageing of the platen rubber. After 80 years, it's almost as hard as steel. I suppose the same could be said about the rest of the rubber used on these machines. It becomes like hard plastic over the years.

If they had a snappy action to them back in 1938, that was a long time ago.

I hope this helps, and best of luck with your decision/hunt.
 

Portable Typewriters » Remington Portables » 27-2-2018 06:11:06

teeritz
Replies: 13

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The Remette is a small machine, but man it's a rough typewriter to use. I had a 1938 model. I also had a late 1930s Portable, but it had no number designation on it.
Both of these machines had the laying down straight typebars. They didn't have to travel the same distance to the platen as a standard type bar arrangement, but they were plenty loud just the same. The Remette has no bell and it's a fairly small typewriter, less than twelve inches across in both vertical and horizontal measurement.
If you Google "teeritz Remette" and "teeritz Remington portable", you'll land on my write-ups of these typewriters on my blog.
Personally, if you want ultra-portable and you're not 100% stuck on Remington, go for a Skyriter with the long return lever. Find one in good condition and they're an absolute pleasure to use.
Best of luck!

Portable Typewriters » Ultraportable recommendation » 19-2-2018 05:41:14

teeritz
Replies: 9

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A mid to late 1950s Smith-Corona Skyriter or the Sears version, Tower Chieftain. Either one with the longer carriage return lever.
My Tower Chieftain III is late 1950s and it has a very snappy typing action. Absolute joy to use. In my view, better than the Olympia Splendids (33,66,99) and SFs of the 1960s.
Groma Kolibris are nice, but pricey, and they can be quite loud if the platen rubber has hardened.
Olivetti Lettera 32 is nice, but to me, it has a sluggish feel to the keys. I've had mine since new, when I bought it in 1981. Sentimental value to me, but I rarely use it these days.

 

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