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Maintenance & Repairs » Smith-Corona Skyriter - vertical drift? » 30-5-2024 22:16:19 |
robmck wrote:
I have one machine (I forget which) that the line advance pawl wouldn't quite go far enough, so after using the carriage return lever, the detent wasn't quite settled into the next position on the platen ratchet, and the vibration of the first few keystrokes would nudge it into place. I found I could also use the carriage return and thump the side of the machine to settle it as well. I wonder if your skyriter is behaving similarly.
This is the exact same issue mine had. I "reformed" the line advance pawl (read: bent it with needle nose pliers) and the issue went away. I think years of use just slowly deforms the pawl.
Maintenance & Repairs » Which rotate tape to I need for my Selectric II 895? » 30-5-2024 22:10:45 |
I have an 895.
You want the 15" tape for this model. The last number in the model corresponds to the 15" paper capacity, not the 13" writing line.
Maintenance & Repairs » IBM Selectric I erratic movement of the typeball » 30-5-2024 22:01:36 |
It's something like three years later, but in case anyone else was wondering, the typeball going crazy and typing on its own sounds like it probably has something to do with the cycle clutch and restoring stud/trip arm/latch.
This is all detailed and diagrammed out in the Selectric service manual here:
This is the assembly directly to the left of the center hub when you take off the plastic guards under the carrier. You should see a spring and a stud sitting over top of a stud, which is attached to a trip arm assembly and sitting over a nylon cam.
The Selectric has a central shaft that's spinning all of the time waiting for user actions, which engage certain clutches and cams along that shaft and kick off operations. Without getting into too much detail, there's a cycle clutch that's supposed to get temporarily engaged to perform the action of detecting a single keypress to position the type ball.
When you hit the key, there's a latch that gets tripped out of its home position. That unlatching allows the cycle clutch to grab onto the center shaft and perform the actions necessary to detect a keypress and convert that into the proper tilt/rotation for the typeball.
This should, of course, only happen once per keypress, so the latch needs to be reset to its home position, so it can be tripped again to perform the next keypress. This is accomplished by the restoring stud. During the keypress operation, the restoring stud rides an eccentric nylon cam that's part of the cycle shaft assembly. That motion travels down the trip arm, and up a linkage which pushes the latch back into position, to wait for the process to happen all over again.
Anything gummed up or out of adjustment in that entire assembly could be your issue. If the latch doesn't get tripped then you don't get a keypress. If it's not restored then the cycle clutch stays engaged and keeps acting like a key
The World of Typewriters » Old Typewriter Repair Shops... » 16-4-2024 12:57:32 |
This isn't a repair shop per se, but the former Smith-Corona factory in Cortland NY is still standing, and ironically houses an office supply store which does not sell any typewriters.
I'm not sure which machines were produced in Cortland, but it was their main factory from 1961-94, so my guess would lean towards their electric and electronic offerings. This replaced the Syracuse factory, and was in operation alongside a factory in Groton NY, which has since been demolished.
Type Talk » If you could only keep a five typewriters from your collection.... » 16-4-2024 12:25:52 |
Easy question, because I only allow myself to have 5 machines at a time as a rule. Those machines currently are:
1968 Olympia SG3 L (manual standard)
1957 Olympia SM3 (manual portable)
1955 Smith-Corona Skyriter (manual ultraportable)
1976 IBM Correcting Selectric II (electric)
1984 Sharp PA-1000H Intelliwriter (thermal electronic)
The SG3 is my current love. It's been fully restored bit by bit over the course of months, including a platen and roller refresh. The lovely elite typeface that works very well with how addicting it is to continuously bang away on; the more room I have on the page to type with this thing the better. It's the first machine I ever owned that makes me want to never stop writing. The only way this monster leaves my collection is if I find an SG1 which checks all of the same boxes and comes up for sale locally, in good condition and also cheap... and even then I'd have trouble.
The SM3 is the underappreciated middle child. It was my daily driver (and only typewriter) for about 5 years until I got the SG3 up and running, but recently I've gotten jaded with it. It's not like it's a bad typewriter or anything, but what do I need with a good portable when I have an ultraportable and an even better standard? I do love the 11cpi Congress Elite typeface it has, and that's half the reason I haven't sold it off yet, but this would probably be my first pick to drop if I needed to open another slot.
The Skyriter is a sentimental machine. It belonged to my grandparents, and was the first typewriter I ever used. It's also in good working condition and a surprisingly nice typer (although I cannot seem to get the print 100% even and it bothers me to no end.) When I want to type somewhere that isn't my desk but is still around the house, this is what I typically use.
The Selectric is the odd man out. It's a basket case thrift store special, currently in pieces on my work bench. For some people that might make it curb fodder, but for me it's a fascinati
Standard Typewriters » SG Owners Club » 16-4-2024 09:06:16 |
robmck wrote:
Thanks for creating and uploading the models for the paper holder. Looks good. I'd intended on designing one, but then my printer grew progressively less functional and so all 3D design and printing has ground to a halt.
This gives me yet another reason to pull the trigger on the new printer I've been eyeballing...
No problem! It was a good FreeCAD learning project for me.
FWIW, I was able to print it on an Ender 3 V3 KE with normal PLA and at .2mm resolution without any tolerance issues. You do need to print supports for the version with plastic dowels, but they're tiny.
Standard Typewriters » SG-3 Line lock? » 16-4-2024 08:56:53 |
M. Höhne wrote:
del20nd, welcome to this forum. You'll find it useful.
Did you read this thread from the beginning? Your observations are covered pretty thoroughly in the early part, before the skills, knowledge, and ethics digression. That part references a still-earlier thread with yet more detail about your observation, at Check it out and let us know whether it covers your concerns about the Olympus SG3 right margin design.
I'll grant that it does not go into the actual mechanisms that accomplish this operation but at least it may put you at ease about what is happening even though it may leave you wondering whether yours is physically adjusted properly.
Thank you for the welcome!
I had read through the earlier part of the thread, but it seemed like there was still some disagreement as you read through, which made me want to check it out for myself.
I wanted to share pictures of the mechanism, since that hadn't been done yet. To me, the mechanism seems pretty self explanatory when you actually see it. IMO there's no way the tiny bump on the right margin stop was designed to work when you blow past it with the tab key or a carriage release, no matter what the instruction manual says. The best I was able to accomplish was getting the space key to stop, but I think that was more of a happy accident than an intended feature.
As an aside, the key stop mechanism on my machine actually was defective when I got it. There's a piece of rubber behind the key stop universal bar that sits right behind the keyboard. The rubber had gone just a little bit sticky, and was holding the bar in place. I fixed that by maneuvering it out and cleaning it with isopropyl. This also had the effect of making the keys travel feel a little smoother, since that same piece of rubber also acts as a rest for the key levers.
Again, thanks for the welcome!
Standard Typewriters » SG Owners Club » 15-4-2024 13:42:46 |
Here's my 1968 SG3 L, right before sending the platen and rollers off for restoration:
Also, for anyone with a 3d printer out there, I've made a printable version of the paper holder. The design can be downloaded for free here on thingiverse:
It's the correct size and shape, but the slider is on the back instead of the front to make it easier to print. I also made two versions, one with plastic dowels built in, and one with pockets so you can add metal dowels. I've printed the plastic dowel version and it seems to hold up if you're careful with installation.
Standard Typewriters » SG-3 Line lock? » 15-4-2024 13:34:48 |
Quick amendment to what I wrote above, on second look the line lock is actually a different mechanism from the key de-jammer, but I stand by everything else.
Standard Typewriters » SG-3 Line lock? » 15-4-2024 13:22:37 |
I created an account to add to this, since I was also having issues with my line lock.
These past 2 weeks my SG3's platen and rollers have been on an adventure to the J.J. Short's factory for a refresh, so since I can't use it anyway, it seemed like a good opportunity to take the back of the carriage off and get to the bottom of this whole mystery.
Short answer is: in my opinion, it seems like the SG3 (or at least my 1968 SG3 L model) is designed to have a key stop and maybe a space stop, but also seems like it was probably designed so that the operator could "nudge" the carriage forward past the right margin with their hand, or pass the right margin with the tab key. I'm not saying it was definitely designed this way since I'm just a hobbyist making observations about my own machine and no kind of authority on the matter, but will make my case for it below anyway, and include pictures so you can draw your own conclusions.
First off, here's the piece of metal that makes up the margin stop. It sits at the center of the carriage and is pulled backwards by the margin release key to disengage. Pulling it backwards also engages the key de-jammer, which in the SG3 is the same mechanism as the key stop.
Notice that this margin stop is flat on the left side (which would face the left margin) and tapered on the right:
Quickly looking at the left margin shows that it has a flat tab stop that meets with the flat side of the piece of metal, so it's a hard stop like we'd expect to see in 99.9% of typewriters:
The right margin is different. It does not have a flat tab stop, but instead has a tapered piece of metal with another tapered bump-out on the far right edge (the picture below is a top down view from the back so the bump is on the left but you get the idea.):
Taking a closer look at the pic above, the mechanism closer to the right m
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